Terraforming Mars

Box art for Terraforming Mars showing an astronaut kneeling on the red Martian surface tending a small green sapling, with a partially terraformed landscape and habitat structures visible in the background.

Building an engine of corporations, cards, and parameters that slowly turns Mars green, and I read Red Mars right before playing this again, which was a genuinely strange way to experience both.

Posted by Maren Hollis · Game Review · 4/5

A Wrinkle in Time

Cover of the 50th anniversary edition of A Wrinkle in Time by Madeleine L'Engle, showing a boy and a girl silhouetted against concentric orange and red rings, with the anniversary medallion in the top corner.

Rereading the book that made me weird about tesseracts as a kid, this time as an adult who's spent years reading actual physics-adjacent nonfiction. It held up better than I braced for, and differently than I remembered.

Posted by Maren Hollis · Book Review · 5/5

A Door Into Ocean

Cover of an early paperback edition of A Door Into Ocean by Joan Slonczewski, a plain blue background with the title stacked in large white serif type above a small starfield motif.

An all-female, biologically engineered ocean society faces invasion by a violent, hierarchical planet next door, and answers with organized, deliberate nonviolence instead of a counter-army. Quietly one of the strangest, most patient books I've read this year.

Posted by Maren Hollis · Book Review · 4/5

Race for the Galaxy

Box art for the revised second edition of Race for the Galaxy, showing the game's glowing blue neon-style logo over a starfield with two spacecraft silhouettes.

A tiny box holding one of the densest engine-building games I own, entirely icon-driven with almost no text on the cards, and a genuinely brutal first few plays before the fog lifts.

Posted by Maren Hollis · Game Review · 4/5

Why Physical Books Still Win in This Apartment

Callum's been trying to get me onto an e-reader for two years, citing shelf space alone in a two-bedroom apartment where one room already doubles as the game closet. I keep buying paperbacks anyway, and I finally sat down to work out why.

Posted by Maren Hollis · Essay

Why I Won't Play a Game Solo

Half my shelf ships with a solo mode now, an automa deck, a bot AI, a whole separate rulebook for playing against the box, and I own maybe four hundred hours of it I have never once opened. A small, probably contrarian case for leaving it there.

Posted by Maren Hollis · Essay

What Ridgeline Books Will and Won't Take

A few blocks from the apartment is a used bookstore that's genuinely picky about what it accepts for trade, and getting to know its owner's exact taste over six years has taught me more about honest self-editing than I expected from a hobby errand.

Posted by Maren Hollis · Essay

Dwellings of Eldervale

Box art for Dwellings of Eldervale showing a dark fantasy landscape split into biomes, a purple tentacled horror rising from the sea on the left and a fiery volcanic ridge on the right, with the title in ornate white fantasy lettering across the center.

A worker placement and area control game dressed up in genuinely gorgeous horror-fantasy art, where the interesting decision is which of five overlapping ways to score you commit to. Plays great at two, which mattered a lot to me.

Posted by Maren Hollis · Game Review · 4/5

From Bacteria to Bach and Back

Cover of the Penguin paperback edition of From Bacteria to Bach and Back by Daniel C. Dennett, showing a symmetrical pattern of black moths and butterflies against a cream background with the title in bold black type.

Dennett's case that minds get built the same way evolution builds everything else, by dumb, blind, cumulative tinkering, no architect required. Long, occasionally smug, and I underlined half of it anyway.

Posted by Maren Hollis · Book Review · 4/5

The Secret of Our Success

Cover of the Princeton University Press paperback edition of The Secret of Our Success by Joseph Henrich, showing a bicycle, cutlery, and other everyday tools rendered as blue line drawings against a cream background with bold orange title type.

Joseph Henrich's argument that culture, not raw brainpower, is the thing that actually made humans dangerous. I went in skeptical of the thesis and came out rearranging how I think about basically everything.

Posted by Maren Hollis · Book Review · 5/5

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